The Modern Antiquarian. Ancient Sites, Stone Circles, Neolithic Monuments, Ancient Monuments, Prehistoric Sites, Megalithic Mysteries

Folklore Posts by GLADMAN

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Cairn Coinneachan (Cairn(s))

Further to Tiompan's fieldnotes, Canmore gives the following regarding the origin of the name of this cairn - which, translated, means 'Cairn of Kenneth', or 'Kenneth's Cairn'.....

'A very large barrow called Carn Chainichin, The Cairn of Kenneth. Chalmers (1887) links this tradition with 'Kenneth IV, King of Scotland' who was slain in battle in 1003 AD at Moigh-a-bhaird, now corrupted into Monivaird. Anderson gives the text of various Chronicles. It is clear that Chalmers statement is incorrect. No Kenneth IV is listed as King of Scotland and in fact Kenneth III reigned from AD 997-1005. There are inconsistencies in the accounts but Chalmers "Kenneth IV" is apparently Giric (called erroneously Grim) son of Kenneth III who was killed in Monzievaird between 997 and 1005. Anderson suggests that he ruled over some district under his father Kenneth. He was buried in Iona.

Statistical Account (OSA) 1793; A O Anderson 1922'

Yr Wyddfa (Cairn(s))

The highest summit in Wales is generally known as Snowdon, no doubt since it is often snow-clad during the winter months. In Welsh, however, it is known as Yr Wyddfa, which translates as 'the tomb'.... I've also heard it referred to as Yr Wyddfa Fawr, 'the great tomb', or 'burial place'. Legend has it that the summit cairn, at 3,560ft, marked the final resting place of Rhita Fawr, a war-like giant finally put in his place by none other than Arthur (yes, him again). Must have been a pretty big cairn to ostensibly cover a giant, one would have thought? More's the pity - nay, calamity - therefore, that it has been thoroughly decimated, not only by countless visitors to the summit, but by the construction of the railway and summit cafe, thus leaving Carnedd Llewleyn's monument as surely the highest surviving of it's type in Wales.

According to The Gwynedd Archaeological Trust (PRN13943) Yr Wyddfa's cairn is:

'A presumable Bronze Age funerary cairn located on the summit of the highest mountain in Wales. The original cairn has been altered beyond recognition by generations of hill walkers, mountaineers and sightseers. A trig point marks the highest point.'

What might have been, eh? It's also interesting to note that the great eastern face of Yr Wyddfa is known as Clogwyn y Garnedd ('Crag of the Cairn') and overlooks Glaslyn, source of the Afon Glaslyn. Enough said, perhaps?

Picws Du (Round Barrow(s))

A full account of the 'Lady of the Lake' legend is given in W Jenkyn Thomas' 'The Welsh Fairy Book' (1907)...

High up in a hollow of the Black Mountains of South Wales is a lonely sheet of water called Llyn y Fan Fach.....

http://classiclit.about.com/library/bl-etexts/wjthomas/bl-wjthomas-welsh-lady.htm

Pen-y-Fan (Cairn(s))

Cwm Llwch, the great glacial valley below and to the north west of Pen-y-Fan is rich with folklore regarding the Tylwyth Teg, 'the little people'.

Below is an extract regarding the valley's circular lake taken from 'The Welsh Fairy Book', W Jenkyn Thomas (1907):

'..In very ancient times there was a door in a rock hard by, which opened once in each year — on May Day — and disclosed a passage leading to a small island in the centre of the lake. This island was, however, invisible to those who stood upon the shore. Those who ventured down the secret passage on May Day were most graciously received by the fairies inhabiting the island, whose beauty was only equalled by their courtesy to their guests. They entertained them with delicious fruits and exquisite music. and disclosed to them many events of the future. They laid down one condition only, and that was that none of the produce of the island was to be carried away, because the island was sacred...'

More of the legend here:

http://classiclit.about.com/library/bl-etexts/wjthomas/bl-wjthomas-welsh-llyn.htm

Carnedd Dafydd (Cairn(s))

Behind the mist
That shifts and stirs, to lap itself again
Round the enduring patience of the crag
A sheep, somewhere amid old drifts of snow
Wails out its wet and solitary grief
And gets no answer but the moss's drip....

(E H Young - Ysgolion Duon)

Ring of Brodgar (Stone Circle)

If those stones could speak - 'Do not wish too loud.
They can, they do, they will. No voice is lost.

(Edwin Morgan, Ring of Brodgar - Sonnets from Scotland 1984)

Castell Dinas Bran (Hillfort)

Gone, gone are thy gates, Dinas Bran on the height!
Thy warders are blood-crows and ravens, I trow:
Now no one will wend from the field of the fight
To the fortress on high, save the raven and crow

Roger Cyffyn (17th Century, arr Borrow)
Gladman... aka Citizen Cairn'd. Yeah, every monument blows me away, but in particular those highland piles of stone with the appropriately monumental views. Visiting them, I think, helps engender a certain 'connection', however intangible, with this land of ours, providing an indispensable reference point for those of us struggling to make sense of this so called 'computer world' Kraftwerk warned us was a'coming in 1981. And hell, it makes me feel good, truly alive... on top of the world in the most literal sense. A perfectly natural 'high'.

Suffice to say, then, that mine is not an exercise in dryly cataloguing sites for the benefit of future generations - as much as I might try I haven't yet been able to embrace altruism to that extent - but rather an attempt to try and reconcile why I am so incredibly moved by these constructions of stone and/or earth representing a time when everything was, by all accounts, literally a matter of life and death. Yeah, just as an empty house appears to retain echoes of past humanity... the raw emotion that apparently sets us apart as a species... so does the stone circle, the chambered cairn, the long barrow and the mountain top funerary cairn. We may be only able to make an (hopefully educated) guess as to what forms the human interaction may have taken - but clearly it mattered. A lot.

I make no special claim for my contributions, particularly since the majority of my earlier images are (variable quality) scans of archive prints.... and my opinions are, well... those of an enthusiastic amateur with a bog-standard 'comprehensive' education. Consequently I'd recommend visitors to TMA refrain from taking my - or anyone else's - word for anything. If you like what you see, why thank you! But please go see for yourself and post what you saw, relate what you think, share what you experienced... that is the greatest compliment you can accord me. Yeah, make up your own mind and do your own thing and help keep the facists, authoritarians and religious freaks from the door. As the great Ian Dury once said, 'Be inspired, be inspiring, be magnificent!' ... and thus the circle turns in on itself to go round again, as upon the great slabs at Bru na Boinne....

However... let's not get carried away. Steady now. In a society where computer generated fantasy is all too prevalent please be aware that reaching some of the more remote upland sites in the British Isles can be potentially dangerous, even life threatening, for the unprepared... or arrogant. Treat the landscape and weather with the respect they deserve (take map, compass, waterproofs etc) and you hopefully won't go far wrong. If in doubt, pop a question in the Forum. That's why Mr Cope puts up the readies to run TMA.... Thank you Julian.

So cheers... to Mr Cope for being his inspirational, confrontational self, showing that field archaeology can be FUN! - hey, who'd have thought it? ...to my sister (Mam Cymru) for using her wondrous female 'macro' vision to help me see the detail throughout an ongoing re-exploration of the South Walian uplands, albeit upon dodgy ankles, knees etc... to my own mam for insisting 'young men should have adventures'.... and my Dad for unwittingly inspiring a profound love of high places. Oh, and to Aubrey Burl for those pioneering guides BC.... 'Before Cope'.

For what it's worth some of my other inspirational people are:

Charles Darwin (for his peerless humanity... amongst, er, 'other things'... although let's not forget Wallace for forcing the great man's hand with his own magnificent contributions);

And then, in no particular order:

George Orwell (peerless essayist with the ability to change his mind); Michael Collins (things are not often black and white... there are two sides to every story); Winston Churchill (for obvious reasons... but especially for all his faults); Martin L. Gore (my favourite songwriter...from just up the road!); Richard Dawkins (much maligned, yet helping to carry the torch of reason during an age of religious resurgence); Shane MacGowan (for making Christmas that little bit more tolerable); Sophie Scholl (words fail me); W A Mozart; Manic Street Preachers (the true spirit of South Wales, not the bleedin' Treorchy Male Voice); Pat Jennings; Stuart Adamson; Will Shakespeare; Harry Hill (there's only one way to find out!); Claudia Brucken (proving Germans do have passion); the (Allied) generation of WW2 for making all this possible; Mr Beethoven; Marc Almond; Stan Laurel and Oliver Hardy; Christopher Hitchens; Mulder and Scully; John Le Mesurier (do you think that's wise, sir?); Ralf Hutter and Florian Schneider.... not to mention anyone who has ever asked 'Why?' - the true legacy of punk. Last but not least, Gaelic beauty Karen Matheson... 'the call is unspoken, never unheard'.

George Orwell - '...during times of universal deceit, telling the truth becomes a revolutionary act'....

Norman MacCaig - 'I took my mind a walk. Or my mind took me a walk — Whichever was the truth of it'.

Alan Bennett - 'Life is rather like a tin of sardines, we're all of us looking for the key'.

Martin L. Gore - 'Like a pawn on the eternal board; Who's never quite sure what he's moved toward; I walk blindly on....'

Truman Capote - 'Failure is the condiment that gives success its flavour'.

Winston Churchill - 'KBO'.

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