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After watching the programme about the South Downs recently, I thought about Edward Thomas. Taking his book The South Country down from the shelf I remembered it is almost 100 years since his death. Born 3rd March 1878, he died on at dawn on 9th April 1917 on the first day of the Battle of Arras. A man who loved ancient footpaths and who wrote about them eloquently in language that knows no borders. Here's one of his poems.

The Combe by Edward Thomas
The Combe was ever dark, ancient and dark.
Its mouth is stopped with bramble, thorn, and briar;
And no one scrambles over the sliding chalk
By beech and yew and perishing juniper
Down the half precipices of its sides, with roots
And rabbit holes for steps. The sun of Winter,
The moon of Summer, and all the singing birds
Except the missel-thrush that loves juniper,
Are quite shut out. But far more ancient and dark
The Combe looks since they killed the badger there,
Dug him out and gave him to the hounds,
That most ancient Briton of English beasts.

And then there is this, when he was in Cornwall....

"On every hand lies cromlech, camp, circle, hut and tumulus of the unwritten years. They are confused and mingled with the natural litter of a barren land. It is a silent Bedlam of history, a senseless cemetery or museum, amidst which we walk as animals must do when they see those valleys full of skeleton where their kind are said to go punctually to die. There are enough of the dead; they outnumber the living, and there those trite truths burst with life and drum upon the typpanum with ambigous fatal voices. At the end of this many barrowed moor, yet not in it, there is a solitary circle of grey stones, where the cry of the past is less vociferous, less bewildering, than on the moor itself, but more intense. Nineteen tall, grey stones stand round a taller, pointed one that is heavily bowed, amidst long grass and bracken and furze. A track passes close by, but does not enter the circle; the grass is unbent except by the wieght of its bloom. It bears a name that connects it with the assembling and rivalry of the bards of Britain. Here, under the sky, they met, leaning upon the stones, tall fair men of peace, but half warriors, whose songs could change ploughshares into sword. Here they met, and the growth of the grass, the perfection of the stones(except that one stoops as with age), and the silence, suggest that since the last bard left it, in robe of blue or white or green - the colours of sky and cloud and grass upon this fair day - the circle has been unmolested, and the law obeyed which forbade any but a bard to enter it........And the inscription on the chair of the bards of Beisgawen was "nothing is that is not for ever and ever" - these things and the blue sky, the white, cloudy hall of the sun, and the green bough and grass, hallowed the ancient stones, and clearer than any vision of tall bards in the morning of the world was the tranquil delight of being thus ' teased out of time' in the presence of this ancientness,....

The stone circle is Boskawenun of course.

And of Avebury....

"the northern downs are totally different, here the land is scooped out into long swells with shallow sliding troughs and folds between them. The queer thing is that Avebury is still the capital of of North Wiltshire as Stonehenge is of the south. The villages mostly hide; visible modern works make ugly faces and only this pair, the rest of man's thoughts on the surface of the chalk, rest seaworthily upon the surge of verdant miles"

What lovely writing, I declare complete ignorance of him up until now.

If his work moves anyone I recommend reading Robert Gibbings too. Wiki, if you've not heard of him. Not a poet, only a forgotten literary genius and well rounded human being.